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INTA is the largest and most influential congress between brand owners and intellectual property (IP) professionals from around the world and across industries. Join us for our 141nd Annual Meeting in Boston, Massachusetts, May 18-22, 2019.

Our team is waiting for you at the 141th Annual INTA Meeting, in Boston 18-22 May 2019. To schedule an appointment, write us at info@tsclex.com



With the approach of the Academy Award better known as "the Oscar" it may seem useful to remember the events related to the brand that bears the name of the well-known film award.

The Oscar was awarded for the first time May 16, 1929 and the nickname was probably attributed by Margaret Herrick, an employee at the Academy of Motion Picture Arts and Sciences, who saw the statuette and said: "It looks just like my Uncle Oscar! "

The Oscar is a registered trademark of the Academy of Motion Picture Arts and Sciences and a few years ago, the Italian Sommelier Association was convicted in court before the Court of Rome guilty of having established the "Oscar of Wine".

In 2016, the Italian Supreme Court confirmed the validity of the Oscar Trademark with reference to the film industry, consequently attributing to the owner, the Academy of Motion Pictures, Arts and Sciences (AMPAS), full rights to its exclusive use.

On the other hand, the Court declared the Oscar trademark lapsed for vulgarization in relation to services of different nature, in this case the services related to education and entertainment in the Class 41 of the Nice Classification. The phenomenon of vulgarization occurs when a brand is no longer used to identify the products of an entrepreneur from those of another entrepreneur but, simply, to identify the product (regardless of who produces it).

The Supreme Court has established that in order to ascertain whether the Oscar trademark is vulgarized is the context in which it is used.

If used to identify an award ceremony the Oscar trademark is fully valid. But, used in other contexts, the term rises to a common word that identifies a prize or an event linked to excellence.



Recently the Court of Milan has again expressed itself on the notion of artistic and simple photographs.

The case was brought by a photographer alleging the infringement of the copyright of a photograph entitled "Human Feelings as Drugs", consisting of the production of photographs, prints and posters reproducing medicine vials in various colors, bearing emotional labels "Empathy", "Hope", "Love", "Peace" and "Joy". The artist intended to spread a message of taking "feelings as medicines", so as to "allow the patient an instant reawakening of perception and a reintegration within the vital flow of emotions".

Plaintiff complained an illegal reproduction of his photograph through a series of pendants - matched with necklaces and bracelets - that would have reproduced their own phials, with identical words reproduced on the labels and asked for an injunction, the award of damages and publication of the decision.

The Court stated that in the matter of photographic works, the artistic character presupposes the existence of a creative act as an expression of an intellectual activity compared to the mere material technique. The reproduction of the photographer must transmit a message that is further and different from the objective crystallized representation, consisting in a subjective interpretation suitable to distinguish a work among other analogous ones having the same representation. The requirement of the creativity of the photographic work exists whenever the author has not limited himself to a reproduction of reality, but has inserted into the picture his own imagination, taste, and sensitivity, so as to transmit his emotions.


With respect to photography, the artistic nature of reproduction can be inferred regardless of the subject reproduced.

In the case under examination, the Court has excluded the artistic nature of the images, since it is impossible to recognize precisely those aspects of originality and creativity that are necessary for recognizing full protection under Italian Copyright Law. Plaintiff did not indicate the manner in which the photograph was shot or a selection of lights or even specific doses of light and dark tones.

The Court also dwelt on the further infringement of copyright as an overall artistic work excluding the plagiarism of the defendant as it found that the comparison between the two works highlighted certain important differences between the two artistic works.



On 3 December 2018 Regulation (EU) 2018/302 entered into force intruducing measures to prevent geographical blocking and other forms of discrimination of customers based on nationality, place of residence or place of establishment within the internal market .

This is an important measure that contributes to the creation of the Digital Single Market that will support the development of cross-border e-commerce by breaking down unjustified geographical blocks, put in place by some suppliers of goods and services, which can give rise to discriminatory commercial practices.

In particular, the owners of e-commerce sites:

1. will have to remove any unjustified blocks, based on nationality, in order to allow users access to theri website;

2. redirect to another website must be authorized by the User by express consent to redirect;

3. purchase forms (telematic order forms) must give the possibility to send the order to all Users of another Member State.

Furthermore, companies will not be able to apply discriminatory prices to consumers:

• in the sale of goods to be delivered in a Member State where the merchant offers the shipment or which is collected in a specific place agreed with the customer;

• in the sale of electronically supplied services, such as cloud computing;

• in the sale of services that consumers receive in the place where the merchant operates, including staying in a hotel, renting a car or participating in a sporting event.

However, the regulation does not provide for the harmonization of prices at Community level and consequently traders will remain free to set prices, provided they are non-discriminatory.

It is important that Consumers and Companies are aware of their rights, their duties and the limits of the Regulation, which intends to contribute to improving the market without impacting or burdening operators by creating fair access conditions.



Recently, the specialized IP section of the Court of Naples dealt with the case of the heirs of Michele Condurro, founder of the Pizzeria “Da Michele” and who claimed rights on the homonymous brand.

 Michele Condurro founded the pizzeria that carries his name located in the popular Forcella neighborhood in Naples back in 1870 and over the years his pizza has become so famous that it was also mentioned by Julia Roberts in the movie Eat, Pray love.

 Recently, the heirs of Michele Condurro have been discussing the right to use the "Da Michele" brand that has become the object of contention by a branch of the family that claimed the right to use it for the opening of several branches in Italy and all 'abroad.

 Similar cases have occurred with the pizza maker Gino Sorbillo and is also happening with the brand SaldeRiso, which sees the award-winning confectioner Salvatore de Riso in court against his brother.

 The case started back in 2016 after the registration of the trademark and Internet domains, in for the recognition and exclusive use of the name "Da Michele".

 Finally, the Court ruled that the exclusive right to use the name throughout the country and internationally belongs to the Condurro heirs who manage the original Pizzeria Da Michele based in Forcella and has imposed the removal of signs, domains and trademarks. The ruling has finally recognized that the patronymic has specific individualizing function, which has been strengthened over time by maintaining a high quality standard, giving rise to a famous trademark and the rights to use the brand must be granted to the person who first adopted and used it.




Consob the Italian stock exchange regulatory board halts the first ICO, ( initial currency offering). The ICO was launched by the English company, Togacoin Ltd, with the aim of financing the construction of a multi-activity data center, focused mainly on cryptocurrency mining, flanked by "secondary hosting activities, web application development and electricity sales, which will make it possible to differentiate investments ".

 The Authority has a well-founded suspicion about the promotion of a public offer of financial products in violation of the laws and regulations on the matter ", and resolved for the suspension of offer for Italian Ressidents.  Considering that the company's website and Ico's whitepaper are in Italian, Consob argued that the 'offer' is addressed to the Italian public "and" presents the characteristics of a public offer of financial products. "This, however, according to Italian Law, requires publication of the prospectus, subject to communication and approval by the Authority. But "in relation to the activity carried out by Togacoin Ltd - as stated in the Bulletin - the prior notification to Consob has not been disclosed or the information prospectus for publication has never been sent.



New legal issues for Balenciaga. The fashion house owned by continues to make people argue about the choice to take inspiration from 'pop' consumer products for their creations. After the luxury versions of the Ikea bag, Balenciaga, who is headed by designer Demna Gvasalia proposed this time a pine-shaped key ring that seems inspired by the famous Arbre Magique car perfumes . The Balenciaga key ring is on sale at 195 euros in light blue, pink, green and black and is made of soft calf leather, while the car perfume costs around two euros.

Car-Freshner Corporation and Julius Sämann Ltd, owner of the Arbre Magique products, has thus decided to sue the Kiering for not asking permission to use the famous colored pine, as they did other brands by starting a cooperation.

The famous stylized tree has already been adopted by other companies producing goods different from perfume diffusers, including Anya Hindmarch, but always in agreement with the right holders.



An many might know, Pantone is an American company that deals mainly with technologies for graphics, color cataloging and color identification systems.

In August 2017 Pantone deposited a new color called Purple One, “Love Symbol # 2” in homage to the late Prince Rogers Nelson known to most as simply "Prince" who died in 2016 at only 59 years.

Pantone's marketing operation followed the recent restored edition of the film Purple Rain, whose soundtrack was actually composed by Prince in 1984.

After these recent events, Paisley Park Enterprises the company that holds the of the late Prince, has filed with the USPTO (the US patent and trademark office) a color mark consisting of a particular shade of purple.

Perhaps not everyone knows that among the signs that can be registered as a trademark, the Industrial Property Code also includes combinations or shades of color, if these are suitable for distinguishing the products or services between competitors.

Today, colors and color combinations are, by now, increasingly used by companies to identify their products in the market; it is no coincidence that we often refer to the "blue" Tiffany or the bright "red" of the soles of the Louboutin shoes.

Italian and Eu Courts tend to exclude the registration of pure colors or shades of colors; the principle was already affirmed in 2003, by the Court of Justice of the European Union, in the "Libertel" case concerning the use of the orange color for telecommunications services.

More recently, the Court of Milan has stipulated that the registration of a specific color mark may be allowed only if it does not unduly restrict the availability of colors for the other parties that offer products or services of the same type as those applied for in the registration application.

As for Prince's filing, this will be examined by the USPTO and then published in the bulletin, thus giving the opportunity to other parties who believe that the trademark registration will be damaged by the opportunity to oppose it.



Vogue Magazine (Conde Nast USA's Advance Publications Parent Company) recently sued the Black Vogue brand for trademark infringement. Advance Publications, filed a complaint in front of the federal court in New York against the designer Nareasha Willis for selling some garments bearing the brand "Black Vogue" without authorization. According to Advance Publications, in fact, Willis would be using a brand (Black Vogue) which is easily confusing by name and graphics, with the most famous "Vogue" by Condé Nast.

In recent months, Willis has already tried to register the Black Vogue brand, but received a refusal by the US Patent and Trademark Office, as confusingly with the Vogue brands already registered by Advance Publications.


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The expected legislative decree for the adaptation of the national legislation to the General Data Protection Regulation (GDPR) was finally published.

The Legislative Decree 10 August 2018, n. 101 - issued in implementation of Article 13 of the 2016-2017 European Delegation Act (Law 25 October 2017, 163) - is aimed at harmonizing the Privacy Code with European legislation, which became fully operational as of 25 May.

The Privacy Code is not completely repealed (as assumed in the first formulation of the decree) but remains in force, with the changes aimed at harmonizing it with the principles set out in the General Data Protection Regulation, first of all to that of accountability.

The provision provides that the Privacy Guarantor establishes simplified procedures for the fulfillment of the obligations of the data controller with regard to micro, small and medium-sized enterprises.

The provisions of the Privacy Guarantor continue to apply, as compatible with the GDPR and with the same decree.

For the first eight months from the date of entry into force of the decree, the Privacy Guarantor must take into account, for the application of administrative sanctions and in so far as it is compatible with the provisions of the GDPR, the first application phase of the provisions sanctions.



A recent decision by the Court of Rome established that social media platforms such as Facebook  have no duty to monitor the legitimacy of the contents published, but they are obliged to carry out a subsequent control in case  a user's reports the posting of defamatory content. In its decision, the Court analyzed the possible obligation to remove content from a provider: one wonders, in essence, if, faced with a user's grievance asocial media must proceed without delay or any other investigations to the immediate removal of potential unlawful content. The answer according to the Court of Rome is negative. There is no duty of a preventive monitoring of published contents since the only duty that is burdened and a social media is a subsequent check on a certain content, following the reporting of an unlawful post.
In the opinion of the Court of Rome, therefore, a reported abuse of defamatory content gives rise to an immediate assessment of the reported contents, but an ex parte removal obligation arises only where a manifest and evident illegal nature of the contents appear.
All in all, it is a shareable decision, because on the one hand contemplates the need to make the online service operator responsible, but, on the other hand, it does not attribute a social media with the role of censor.



Otb, the group founded by Renzo Rosso, which includes brands such as Diesel, Maison Margiela and Marni, recently won a judgment before the Milan court against the Inditex group that controls the well-known Zara brand. The company founded by Renzo Rosso has seen to welcome from the Court of Milan its arguments sustained in the case started in 2015 against the Spanish company, accused of having reproduced with the Zara brand of jeans produced by Diesel and sandals designed by Marni.

Although the Iberian group supported the existence of substantial differences between its own products and those of Otb, claiming the impossibility of the Court award damages being a foreign company without headquarters in Italy, the judges decreed violation of the registered design of the Skinzee-sp jeans model and the unregistered design of the Fussbett footwear.

It is not the first time that the Iberian group is involved in such accusations. Just over a year ago, the Danish "Rains" label specializing in rainwear has brought a lawsuit to Inditex in front of the Danish Commercial Court for breach of design and unfair competition by requesting the immediate termination of the sales of an allegedly infringing model and the compensation for damages for the loss of the corresponding profits.

The Point on the EU's Copyright Reform

The European Union is working on reforming the copyright by forcing websites to enable “upload filters” and to pay for linking to other websites.


One of the biggest issues with the new EU copyright reform proposal is the Article 13, which mandates that websites that accept user content (anything from videos to online comments) must have an “upload filter” that would block all copyrighted content that's uploaded by users. Critics, such as Member of the European Parliament (MEP) Julia Reda, have also called upload filters “censorship machines.”

Under the censorship machine proposal, companies would be required to get a license for any copyrighted content that is uploaded to their site by its users. In other words, websites would be liable for any content their users upload to the site.

Some argue that upload filters wouldn’t be able to recognize “legal uses” of copyrighted content, even if they were 100% effective in identifying whether or not a piece of content is copyrighted or not. In this category would enter parodies and citations, which typically make references to licit copyrighted content.

It is disputed if uploading filters is legal or if it violates fundamental rights to privacy, freedom of expression, freedom of information and freedom to conduct a business.

Another article under dispute is the so called “link tax” proposal in Article 11 of the copyright reform directive is another idea that’s not just seemingly bad, but it has also failed in countries such as Spain and Germany, where it has already been attempted. Instead of getting companies such as Google or other publishers to pay for the links, or article excerpts and previews, those companies simply stopped linking to content coming from Germany and Spain.

Critics believe that a link tax would significantly reduce the number of hyperlinks we see on the web, which means websites will be much less connected to each other.

These two articles seem to be the most controversial by far and critics believe that the directive would probably have a negative impact on companies

Christian Louboutin's Red Shoe Soles are a valid Trademark.


According to a recent decision by the Court of Justice, the red color of the Christian Louboutin shoe sole is a mark of position and not a mere form and as such constitutes a valid right of property.

This is the decision rendered by the EU Court of Justice, after the French maison had sued the Dutch company Van Haren for selling women's shoes with high heels and red soles.

The Dutch company in 2012 had started selling the "5th avenue by Halle Berry" model - and was sued by Louboutin for counterfeiting. Van Haren defended itself by invoking the "nullity" of the Louboutin brand, appealing to the fact that "the EU Directive on trademarks lists several grounds for invalidity to registration, in particular, with respect to signs consisting exclusively of the shape that gives a substantial value to the product ".

The decision c-163/16 establishes instead that the "protection" of the Louboutin brand red sole "does not concern a specific shape of high-heeled shoe sole (which would not be protected as a EU trademark), as the description of said mark expressly indicates that the outline of the shoe is not part of the mark, but only serves to highlight the position of the red color to which the registration refers. The Court also added that a trademark cannot be considered to be "exclusively from the shape where the main object of this sign is a color specified by an internationally recognized identification code".

The fashion house speaks of a "Victory for the Maison Christian Louboutin" because "the protection of the Christian Louboutin red sole brand is strengthened by the European Court of Justice". According to the company today's ruling in Luxembourg "has confirmed that the legal regime that governs the shape trademarks does not apply to the 'red sole' of Christian Louboutin", which is on the contrary "a position mark, as it has supported the Maison for many years ".



As many may know, starting from 25 May 2018, the 2016/679 EU Regulation, known as GDPR (General Data Protection Regulation) - relating to the protection perosnal data will be directly applicable in all Member States.





In a nutshell, the GDPR:

  • introduces clearer rules on information and consent;
  • defines the limits to the automated processing of personal data;
  • lays the foundation for the exercise of new rights;
  • establishes strict criteria for the transfer of these outside the EU;
  • sets strict rules for data breach cases.

Theses rules also apply to companies located outside the European Union that offer services or products within the EU market. All companies, wherever established, will therefore have to respect the new rules. Companies and institutions will have more responsibility and case of non-compliance with the rules risk heavy penalties.

The "One Stop Shop"

To solve any difficulties, the "one stop shop" rule has been introduced, which will simplify the management of treatments and guarantee a uniform approach. Companies operating in several EU countries may contact the Privacy Guarantor of the country where they have their headquarters.

Data portability

The regulation introduces the right to "portability" of personal data to transfer them from one data controller to another. The rule is an exception in cases where the data are contained in archives of public interest, such as the registry offices. In this case, the right can not be exercised, as is the transfer of personal data to non-EU countries or international organizations that do not meet the security standards for protection.

The principle of "accountability"

There are other important elements of novelty. In fact, the accountability of the data controllers (accountability) has been introduced and an approach that takes into greater consideration the risks that a particular processing of personal data may entail for the rights and freedoms of the interested parties. This new right will facilitate the transition from one service provider to another, facilitating the creation of new services, in line with the Digital Single Market strategy.

Data breach

The data controller must report any violation of personal data to the Guarantor. Responding effectively to a data breach requires a multidisciplinary and integrated approach and greater cooperation at EU level. The current approach has numerous flaws that need to be corrected. It is not simple but it is necessary to do so in order not to lose the opportunity provided by the GDPR. The first fulfillment to be put in place for Italian companies is certainly the adoption of the Register of processing of personal data, but even before the bureaucratic queries, the company must understand the importance and value of the data, as well as the huge economic damage due to a loss of information If the data breach poses a threat to people's rights and freedoms:

The owner must inform all interested parties in a clear, simple and immediate manner and offer indications on how he intends to limit the damages;

You may decide not to inform interested parties if you believe that the violation does not pose a high risk for their rights or if they demonstrate that they have already taken security measures; or, finally, in the eventuality in which to inform the interested ones could involve a disproportionate effort to the risk. In this last case it will have to provide with a public communication;

The Guarantor Authority may in any case require the data controller to inform the data subjects on the basis of an assessment of the risks related to the violation committed.

The figure of the DPO (Data Protection Officer)

It is no coincidence that the figure of the "Data Protection Officer" (Data Protection Officer or DPO) was set up, responsible for ensuring the correct management of personal data in companies and institutions and identified according to professional qualities and specialized knowledge of the legislation and data protection practice.

The Data Protection Office reports directly to the company’s summit and is independent, as it does not receive instructions regarding the execution of the tasks.

In reality there are still too many doubts on the figure of the DPO is. It is a relevant figure, but certainly it is not the "center" of the system established by the GDPR, which in the new system is always the Data Controller. The DPO must have a specific competence "of the regulations and practices concerning personal data as well as the administrative rules and procedures that characterize the sector". It is no less important, however, that it also has "professional qualities appropriate to the complexity of the task to be performed" and, especially with reference to sensitive sectors such as health, can also demonstrate specific competences with respect to the types of treatment put in place to the holder. The decision-making autonomy and the extraneousness of the DPO with respect to the determination of the purposes and methods of data processing is equally important if we want to return to those affected that sovereignty over the circulation of their data.



The Court of Torino recently ruled in a lawsuit promoted by Basic Net, owner of the well-known brand K-Way, against Giorgio Armani due to the marketing, by the latter, of products bearing the known K-Way colored.

Basic Net is the owner of a registered color Community trade mark which reproduces the famous colored strip which characterizes the clothing items branded by K-Way.

In its decision, the Court of Turin shared the arguments of the Court of the European Union concerning the application for registration of Basic Net’s Community figurative mark consisting of strips. On this occasion, the Court of Torino confirmed the rejection of the application for registration of the sign due to lack of distinctiveness. However, the Court also verified the acquisition of a distinctive character following use (so-called "secondary meaning") in four European Union States, including Italy.

The Court of Torino therefore concluded that the famous colored stripes of a K-Way constitute "a valid mark of fact, endowed with autonomous distinctive capacity even when used in combination with the K Way brand".

The Italian Court then ruled that the products they identified are "at least very similar (in the sense that they belong to the same line of casual / casual clothing) and sold at entirely comparable prices". This implies a risk of confusion between the brand of the actress Basic Net and the colored band that appears on the Armani garment. According to the Court, the likelihood of confusion arises from the use of the colored band, the overall visual impact it generates and its positioning on the sides of the hinges, and the fact that both products bearing the strip in question are marketed at the same stores and that their cost is almost similar. Such circumstances "can in fact concretely induce the consumer to believe that between the two companies there are ongoing non-existent co-branding operations". Finally, the Court of Turin ruled out the principle of the application of the c.d. “imperative of availability” opposed by the defendant

According to this principle third parties must always differentiate themselves through distinguishing additions or other arbitrary variations, sufficient to eliminate the risk of confusion with other products.

In this case, however, the additions made by Armani (aka the famous stylized eagles and the "AJ ARMANI JEANS" brand) are not considered sufficient to differentiate the product.

According to the Court of Torino the affixing of a notorious mark on the product does not exclude the counterfeiting of the figurative mark of another; if this were not the case "we would arrive at the paradoxical consequence of allowing the owners of the former to appropriately take possession of the latter, with the only precaution to use it in association with their distinctive mark, highly established on the market and highly distinctive and recognizable". For all the above, the Court concluded by declaring that the behavior established by Giorgio Armani "Constitutes an act of trademark infringement and as well as an act of unfair competition". The Court therefore issued against Armani an injunction order from the import, export, sale, marketing and advertising of class 25 products (in particular jackets) bearing the trademark object of the case or other mark containing the sign in question extended to the territory of the European Union and an order of destruction in Italy of counterfeit products.


Recently the Court of Torino has decided a case on the unauthorized publication of photographs on a website without the Author’s prior authorization and determining the quantification of damages on the basis of the principle of "price of consent".


The author of certain photographs, realizing that they appeared on a web platform, asked the court to be recognized as the owner of the rights of economic exploitation on them and, secondly the quantification of damages .

The Court of Torino ruled that the illegitimate publication on a website of other people's photographs by unauthorized third parties is a violation of an author’s exploitiation rights, but also that damages violation should be calculated by applying the principle of "Price of consent".

More precisely, according to this criterion, damages for the illegitimate exploitation of copyrights must be quantified on the basis of the sum that the rights holder would have received as consideration following the reaching of an agreement with the user. And the quantification of the "price of consent" must be based on the amount previously requested by the holder for the transfer of each individual photograph, to third parties.


Can we freely write, publish or tell the lives of famous people?


On this point the Court of Milan (IP Section) recently rendered a descision to settle a dispute between two authors (Antonio Prestigiacomo and Marcello Sorgi) on the life of the Sicilian Prince Raimondo Lanza di Trabia, the man who invented the soccer transfer market and who was Rita Hayworth's lover and a close friend of Onassis.

The Court ruled that in the case of biographical works of well-known personalities, the facts and events that affected them belong to the common patrimony and are not autonomously monopolizable by anyone. Copyright protection protects instead the formal choices, the stylistic and editorial techniques, created by an author.

The Court ruled that the text of plaintiff Antonio Prestigiacomo, "The Restless Prince. The life of Raimondo Lanza di Trabia "undoubtedly enjoys copyright protection both in terms of originality and novelty. As for the originality, Prestigiacomo’s Book is in fact configured as the personal result of the harmonization of real facts, also historical, and true facts, organized and stylistically reworked with a particular technique. The text is in fact the fruit of the alternation, in the narrative fabric, of interviews articulated in questions and answers, clearly identifiable by the presence of the quotation marks, made by the author to various characters who have had direct knowledge of the Prince.

However, the Court ruled that with respect to the identity of the main character and of many events narrated, there is a certain distance between the two stories, so to believe that they are autonomous creative works, belonging to different genres, each individually protected.

The work of Prestigiacomo cannnot in the end be considered plagiarized by that of Marcello Sorgi and that the biographical works of well-known personalities, but not with reference to the facts and the events that concerned them,are not monopolizable.

Embedding a Tweet could be Copyright Infringment


Rejecting years of settled precedent, a federal court in New York has ruled that you could infringe copyright simply by embedding a tweet in a web page. Even worse, the logic of the ruling applies to all in-line linking, not just embedding tweets. If adopted by other courts, this legally and technically misguided decision would threaten millions of ordinary Internet users with infringement liability.

This case began when Justin Goldman accused online publications, including Breitbart, Time, Yahoo, Vox Media, and the Boston Globe, of copyright infringement for publishing articles that linked to a photo of NFL star Tom Brady. Goldman took the photo, someone else tweeted it, and the news organizations embedded a link to the tweet in their coverage Goldman said those stories infringe his copyright.

Courts have long held that copyright liability rests with the entity that hosts the infringing content—not someone who simply links to it.

This is generally known as the “server test,” originally from a 2007 Ninth Circuit case called Perfect 10 v. Amazon, and provides a clear and easy-to-administer rule. It has been a foundation of the modern Internet.

We hope that the Ninth’s Circuit ruling does not stand. If it did, it would threaten the practice of in-line linking that benefits millions of Internet users every day.

The Shape of Water accused of Plagiarism.


As the Academy Awards night apporaches, controversy grows around the films selected by the Jury.

"The shape of water", the film by Guillermo del Toro, nominated for 13 Academy Awards, is accused of plagiarism: the film would be based on the 1969 play 'Let Me Hear You Whisper' of the Pulitzer Prize Paul Zindel . The legal action against the film's director, producer and movie house was presented by David Zindel, the son and heir of the famous playwright, who blames them for not having "shamelessly copied the story, the elements and the characters" of his father's comedy, even using the same words.

 The word is now up to the Court, called to determine whether Zindel's allegations are founded. However, it is not the first time in Hollywood that there have been battles on accusations of plagiarism, especially in the presence of films of expected success.

The classic Western by Sergio Leone For a handful of dollars is one of the peaks of its kind, thanks to the incredible performance of Clint Eastwood, a tramp gunner who, during his wanderings, ends up in the middle of a conflict between two families in a small village on the border with Mexico. Unfortunately, the film is also an unauthorized remake of a film by Akira Kurosawa entitled Yojimbo. Kurosawa sent Leone a letter saying "Nice movie, but it was my Movie", and sued him asking for a percentage of the proceeds. The two agreed for a reimbursement of 100 thousand dollars and 15% of profits worldwide.

Another striking case was that of Terminator. Harlan Ellison is one of the most litigious authors in the American science fiction world, and there are now dozens of lawsuits against people accused of stealing his ideas. However, the lawsuit he filed against James Cameron for The Terminator was slightly different. Ellison wrote an episode of Beyond the Limits called Demon With a Glass Hand, which told the story of a robot soldier who, disguised as a human, is sent back in time. Orion Pictures decided to pay compensation before the case arrived in court, and Ellison earned money and was credited to the film.

Last we hanve to mention the case of "Coming to America” a movie starrign Eddie Murphy.

In 1982, the well-known screenwriter Art Buchwald wrote a treatment for Paramount entitled King for a day, in which the protagonist was a rich and arrogant African ruler who traveled to America. The protagonist should have been Eddie Murphy. Paramount bought the treatment and spent a few years in a vain attempt to find someone who wrote the screenplay before leaving the project in 1985. The rights returned to Buchwald, which sold them to Warner Brothers. Later Paramount made a film with Eddie Murphy who played the part of a rich and ignorant African ruler traveling to the United States. The film was titled The Prince Looking Wife. Buchwald was neither paid nor credited, so he sued but Paramount agreed privately with him for an unknown figure.